Archive for December, 2010

Christmas in December(ists)

I am happy now. I’d heard Colin Meloy had played a show in NYC but I missed my chance to listen to it. Well so here the good kind souls there at the YouTube building decided to update their little online enterprise with some of the songs!

 

I feel better already.

In particular, there are songs from the new album, “The King is Dead,” which I anticipate like whoa. I got the free download of “Down By the Water,” which come on I love. But I think this song “Rise to Me” is going to be my favorite. I dig this acoustic version, but I’m looking forward to hearing the full band behind it.

Ever get that feeling where you just can’t wait to listen to a whole album? January 18th, you and me have plans.

Imagine

Hey you watch this!

I know it’s a sortof magic trick. It’s a cinematic sleight of hand. Broken down in a certain way, it’s nothing more than quickly-cut dramatic clips to bombastic music. That’s true.

But that’s not true at all, though, is it? It’s so much more.

It might be more meaningful to me, because I recognize nearly all the films from the clips. It might be because I love that song from an [in-my-opinion] underrated album, or because I dork out hardcore over cinematography. But I just love the hell out of this video. Even in an off-year, there was so much creative energy spent bringing us stories, dazzling us with amazing effects, breath-taking stunts, and even more breath-taking close-ups. A kiss. A pair of eyes, flitting over at just the right instant. Recognition in a wordless look – isn’t that why we go to the movies? A two shot. An embrace. A punch. A moving camera. People running. To something. From something. A life-or-death leap of faith that can be as big as the largest explosions or as small as the moment when things change inside of one individual.

These are things I can’t get enough of and can’t get over. What marvelous wonders are the stories we tell. What greatnesses they show. What treasures they bestow. Great stories have a way of making us feel small in the biggest, most comforting of ways – a glorious paradox I’ve been thinking about a lot lately. And to borrow a line from Sorkin’s “Sports Night,” while hoping to retain the proper sense of perspective and scale, this video is a little reminder:

Look what we can do.

Perfect Paragraph

Sometimes there is a moment in a book that just gets everything right. You read it, stop, think for a minute and recover from the gut-punch. I’m really loving Michael Chabon’s The Amazing Adventures of Kavalier & Clay, and late in the book, there’s that moment, in a book filled with greatness already; but this one could stand alone as its own mini-short story. A complete beginning middle end, conflict, heartbreak, wonder, and writing so good you consider learning how to write all over again.

As they went out of the room Rosa turned to look at Tommy and had an impulse to go back, to get into his bed with him and just lie there for a while feeling that deep longing, that sense of missing him desperately, that came over her whenever she held him sleeping in her arms. She closed the door behind them.



Funny You Should Say That

What a world, that fan-fiction world. Is it? Anyway. Couple weekends ago, for “Battleship Pretension Live 4: The Reckoning,” I wrote an epic introduction, inspired by “The Lives of Harry Lime,” in which (in the intro, this is) the co-hosts traveled to Cedar Rapids nine years ago and stumbled upon the idea for their podcast. It was utter untruth, from start to finish, which is what made it so damn much fun. The live show should be posted in a couple weeks, and if you haven’t heard Kyle Kinane perform stand-up yet, get ready for something awesome. It was a great time, as always, and here’s roommate Adam’s poster art:

BP are you with me?!

Also! Found this from perusing good friend/ soon-to-be-reunited-fellow-player-of-Carcassonne BJ’s twitter page. It made me laugh. A lot. The site is called Our Valued Customers. Enjoy.

I think I live with this guy.

 

Point, Counterpoint

Upon further reflection and continued readings, I may remove Malcolm Gladwell’s book from my favorites of non-fiction. His is among the most popular in a trend of high-concept quirk non-fiction; books investigating social phenomena in macro, boiled down in easy-to-digest case studies.

For instance: I was intrigued by the preview for “Freakonomics” this fall, but when the movie got mediocre-to-poor reviews, my interest waned and I decided why not just read the book instead? And what an exercise in frustration that turned out to be. The concept is intriguing – unearthing the hidden and strange truth behind all sorts of conventional wisdom – and every chapter title contains a clever idea – comparisons of school teachers and sumo wrestlers, or Ku Klux Klan and real-estate agents. The introduction to the book dazzled me enough to write in the margins: “Why isn’t all writing this exciting?”

Let's Get Our Freak On

Oh for short-lived enthusiasm. On page four, I wrote, “Uh-oh. My skepticism meter is acting up.” On page nine, talking about political contributions, they state, as if we all know this already, “Chances are you’ll give the money in one of two situations: a close race, in which you think the money will influence the outcome; or a campaign in which one candidate is a sure winner…” My note: “How did they arrive at this position?” It may well be true, but they haven’t explained how they know it’s true (and now wait a second now that you mention it, isn’t that assumption itself another instance of conventional wisdom?). By page 31, I was downright annoyed and I took it out on the paperback’s margins: “By writing complicated things as forgone conclusions you a)don’t respect your readers and b)turn the inspiration behind the book into a gimmick.” Settle down, self.

My frustration continued throughout the book, although there are some very interesting ideas and case studies in it. I’m just not so sure that they mean exactly what the writers want them to mean. Often they draw general conclusions from a single situation, instead of providing further investigation to see how anomalous that situation is/is not. Again, I think they are right about some of this stuff, but they don’t convince us. In fact, they fall into the very trap the book professes to condemn. It doesn’t shatter the notion of “conventional wisdom,” it substitutes a new unfounded or poorly investigated conclusion for another.

Sometimes, though, it was frustrating how bold the illogic was. Near the end of the book, talking about common first names, they list the Top 20 names that signify low-education parents (minimum 100 occurrences) and the the Top 20 names that signify high education parents (minimum 10 occurrences). Unless there was a typo- in the book, there is a problem here. The charts tell us that certain names tend to have poorly- or well-educated parents. The low education names are normal-ish names while the high education names are all very obscure. Hmm… of course they are. The way a name gets on the list, after all, is not dependent on the number of times the name comes up, it’s dependent on the education of the parent. By requiring at least 100 occurrences for low-income names, you ensure that the names on the list will be more common. If there were only 11 occurrences of poorly-educated parents naming their kids “Clementine” or “Waverly,” (both names on the well-educated list), it would not make the low-education list, because there weren’t enough occurrences. The inverse is true as well. By requiring fewer occurrences of a given name for the high-education list, while using the parent’s education, not the child’s name, as the basis for inclusion, you basically create the conclusion you want: well-educated parents’ kids have unique names while poorly-educated parents’ kids have common/bland names. The lists would look different if you made the requirements equal, but it probably wouldn’t create the kind of disparity that the authors wanted to include. As a result, the book posits a more dynamic gap between the poorly- and well-educated. The only problem, of course, being it’s not necessarily true. I don’t think this is some kind of conspiracy, I think more likely it’s the kind of combination of sloppy research mixed with faulty logic that fills and plagues the book.

It may be human nature to desire difficult things to be simplified and made easier to digest. There is value and validity to moving slowly during introductions to difficult concepts, such as in classroom settings. But over the last decade especially – and I point here to a correlation (though not necessarily causation) between this and the sheer amount of mew media (which does, incidentally include blogs like this one) and the emphasis on the push to share the same information in as many different sources as possible – the simplified version of events, of analysis is often the only one offered (on one hand) and the only one sought (on the other). It’s an ironic, ugly trend. It overlooks important aspects, leaves much unexamined, and presents complicated, intriguing things as boring-shaped, limitation-based digestibles… in more formats than ever before. It’s like the not-so-harebrained scheme from Ryan on “The Office” to link up every conceivable communication portal through one system: WUPHF!

And again, look no further than this blog. My twitter feed is available on the right side, and my twitter links to my blog, as does my Facebook. But that’s a tiny example. I’m talking about when people require a single to device to be phone, iPod, word-processor, GPS, camera, edit-bay, Television, video-game console, credit card machine, and live-in lover. Or when something needs to go from a website to twitter to phone apps to Facebook group. Or that cool-looking commercial with the guy who insists on watching his movie in every room of his house while he gets a drink of water. Pause the fucking movie! You’re not giving it your full attention anyway!

It goes without saying that there are people in every avenue providing depth of content. Some of them shy away from new media completely, some utilize it better than anyone. But are those the exceptions or the norm? Most of what bombards us is any combination of cheap, fast, simple, and bland. But there is so much of it that everything, from art to politics to how we live our lives, is entrenched in it. And it’s yet another difficult, maybe impossible job to figure out exactly how everything influences and affects the others. I can’t bring myself to listen to music on the radio anymore. Most “indie” movies are just as monotonously plodded as studio films (because more and more indie movies are studio films now, or at least they’re made with the same mentality: SELL YOUR MOVIE, MAKE A PROFIT!!!). And Oh My God Reality TV is a bigger, more destructive evil than the Venom symbiont.

I tell ya, I don't believe he really has that many arms.

A recent Newsweek article discusses the notion that the modern presidency is a larger responsibility than one man can handle. That the country is too diverse in its needs, the political culture too complex for one man to successfully handle, even if he has the support of Congress. “Lincoln had time to think…That kind of downtime just doesn’t exist anymore.” There are too many programs, too much activity. And while I voted for an Obama I believed (and do still believe) could be the leader of change by navigating those complexities through delegation and intelligent government programs for jobs, welfare, and education, many of his biggest enthusiasts are learning that their notion of Obama as a one-man presidential rock-show was not only naive, it was downright anachronistic.

Meanwhile, 24-hour news channels simplify more and more for more and more minutes of every day. And hey, maybe they have to. How do you cover everything everywhere when all of it is happening at the same time all the time? A better question might be, is it an intelligent aim to seek to report accurately and extensively on everything that happens? Is everything news worthy? Right now the answer is, Yes, if a given story is important to the other major stations, or if it isn’t important to the other major stations but there’s the possibility that the right spin can make it appear as though it should be.

Who is getting frustrated, by show of hands? Overwhelmed? Now that’s progress you can count. Nobody wants to be frustrated, or to feel like they don’t understand fully. It’s psychic numbing (a fascinating subject explored in the great documentary, “Reporter,” which is currently not available). But we don’t understand fully and feeling like we do only exacerbates the extent of our un-understanding. In the same way that the problem is the fault of both sides, so will be the solution. More complex, insight-filled reporting won’t help if no one wants to avail themselves of it, because they get overwhelmed. We need to get over being overwhelmed. Maybe if we’re frustrated for just a little while, we can start to see things more clearly and fully and then work to not be so frustrated and overwhelmed.

(Warning: more Jonathan Franzen praise ahead) Back to the book. Sometimes broad strokes are enough, but research shouldn’t be one of them. To make sure I wasn’t insane, I looked over Jonathan Franzen’s great 2003 collection of essays, How to Be Alone, which includes a brilliant, in-depth essay about the Chicago postal system. It was written in 1994 (Yeah, I know!). It’s 40+ pages long and is, essentially, a case study. But the difference is in the idea. Freakonomics feels like a newspaper article, stretched out to a book. It moves too fast and doesn’t cover enough ground. Franzen’s is an essay. It’s considerate of all sorts of different angles, it comments, it derives meaning from detail. It allows for complications and difficulties and doesn’t make an attempt to tie everything up. Let’s observe an engaging passage:

When postal workers hang out together, they talk about who slept with whom for a promotion, and which handler was found dead of natural causes on a sofa in the employee lounge. They speculate about the reason [Postmaster General] Marvin Runyon’s eyes weren’t blinking during an interview, about whether it was due to medication for his back pain. They revel in dog lore. I’m advised that if I’m ever set upon by a pack of strays I should Mace the one that barks first. I’m told the story of a suburban carrier who was forced to take refuge from an enraged German shepherd in a storage mailbox that he’d been throwing his banana peels and milk cartons into all summer.

This looks AWESOME.

Either way, I’m done with the book and have moved on to the staggeringly good Michael Chabon novel, The Amazing Adventures of Kavalier & Clay. It’s about comic book writers during the 40’s & 50’s and it takes its cue from their profession. The book is littered with interesting characters: magicians, circus performers, Nazis, Salvador Dali even makes a brief, near-death appearance. The book’s two heroic comic book creators follow in their characters’ footsteps and the title’s promise and have exciting, dramatic, suspenseful, rich adventures. And to complement it, I’ve been taking short breaks to read some classic comics. I took in “Batman: HUSH,” which was dark and dense and great, as well as the Fantastic Four reboot from the mid-90’s, “Heroes Reborn.” This is one of the few times it’s really paid to have a comic enthusiast as a roommate. The FF storyline was expertly drawn, and the stories were just what I was looking for: ridiculous. Every single villain either turns into a super-monster or has a super-monster laying-in-wait to do its bidding. Giganto, the massive whale?! Moleman and his total control of underground elements?! Super-Skrull?! I can’t make this shit up, but someone else didn’t have a problem doing it. Every threat extreme, every situation dire, every character a symbolic sculpture of the best of mankind. In other words, fantastic.


It Has Come to This

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December 2010
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